{"id":445,"date":"2021-09-29T22:33:54","date_gmt":"2021-09-29T22:33:54","guid":{"rendered":"https:\/\/theatrehound.net\/?p=445"},"modified":"2021-11-09T20:27:57","modified_gmt":"2021-11-09T20:27:57","slug":"cry-it-out-by-molly-smith-metzier-at-cinnabar-theatre-the-new-parents-6-week-crush","status":"publish","type":"post","link":"https:\/\/theatrehound.net\/?p=445","title":{"rendered":"&#8216;Cry It Out&#8217; at Cinnabar Theatre &#8211; The New Parents 6-Week Crush"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"alignleft is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/1-1024x563.jpg\" alt=\"\" class=\"wp-image-448\" width=\"365\" height=\"200\" srcset=\"https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/1-1024x563.jpg 1024w, https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/1-300x165.jpg 300w, https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/1-768x422.jpg 768w, https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/1-1064x585.jpg 1064w, https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/1-716x394.jpg 716w, https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/1-480x264.jpg 480w, https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/1.jpg 2048w\" sizes=\"auto, (max-width: 365px) 100vw, 365px\" \/><figcaption>(L-R)  (L-R) Ilana Niemberger as <em>Jessie<\/em> &amp; Amanda Vitiello as <em>Lina<\/em>. Photo by Victoria Von Thal <\/figcaption><\/figure><\/div>\n\n\n\n<p>This one-act play hits home with the crush for new mothers after birth.&nbsp; In the six weeks after birth, everything\nchanges: work, sleep, relationships, friendships and neighbors.&nbsp; Oh yes, and then, mothers have to go back to\nwork.&nbsp; Right.&nbsp; Did I mention that emotions change a lot? This\nplay covers it all in a real and provocative way.<\/p>\n\n\n\n<p>\u201cCry it out\u201d is a real child rearing method designed to train a baby\u2019s sleep\npatterns.&nbsp; The theory is that the baby\nwill cry until he or she goes to sleep naturally.&nbsp; While the theory is discussed briefly in the\nbeginning of the play for characters\u2019 babies, the play actually allows the\nparents to \u201ccry it out\u201d to communicate their many challenges.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/3-1024x563.jpg\" alt=\"\" class=\"wp-image-449\" width=\"341\" height=\"186\" srcset=\"https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/3-1024x563.jpg 1024w, https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/3-300x165.jpg 300w, https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/3-768x422.jpg 768w, https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/3-1064x585.jpg 1064w, https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/3.jpg 2048w\" sizes=\"auto, (max-width: 341px) 100vw, 341px\" \/><figcaption> (L-R) Ilana Niemberger as <em>Jessie<\/em> &amp; Amanda Vitiello as <em>Lina<\/em>. Photo by Victoria Von Thal <\/figcaption><\/figure><\/div>\n\n\n\n<p>In the play, Jessie (played by Ilana Niernberger) has just had her\nbaby.&nbsp; Lina (played by Amanda Vitiello)\nhas also just had her baby.&nbsp; They meet in\nthe \u201cneutral zone\u201d between their neighboring houses and immediately join\ntogether to survive their new worlds. <\/p>\n\n\n\n<p>Their children have brought them together from very different worlds: Jessie\nworks as an attorney in Manhattan while Lina works as a nurse.&nbsp; Coffee is an essential ingredient to their\nsoon-daily meetings and sharing sessions.&nbsp;\nBetween putting their babies down for naps and responding to cries for\nmothers\u2019 milk, we get to know their inner lives and frustrations.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/2-1024x563.jpg\" alt=\"\" class=\"wp-image-450\" width=\"295\" height=\"161\" srcset=\"https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/2-1024x563.jpg 1024w, https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/2-300x165.jpg 300w, https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/2-768x422.jpg 768w, https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/2-1064x585.jpg 1064w, https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/2-716x394.jpg 716w, https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/2-480x264.jpg 480w, https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/2.jpg 2048w\" sizes=\"auto, (max-width: 295px) 100vw, 295px\" \/><figcaption> (L-R)  Amanda Vitiello as <em>Lina<\/em>, Ilana Niemberger as <em>Jessie<\/em> &amp; Kellie Donnelly as <em>Adrienne<\/em>. Photo by Victoria Von Thal <\/figcaption><\/figure><\/div>\n\n\n\n<p>In time, another neighbor, Mitchell (played by Andrew Patton), asks if his\nwife can join them to help with her problems dealing with her own new-borne\nbaby. Mitchell\u2019s wife Adrienne (played by Kellie Donnelly) joins them, but is\naloof and unfriendly. Adrienne brings entirely new parenting issues to the\ndiscussion.<\/p>\n\n\n\n<p>Niernberger characterizes the trials and postpartum of having her new baby\nas a suburban mother torn between love and work.&nbsp; Vitiello has different reactions with a\nsurvival mentality and unmarried status of her motherhood.&nbsp; Donnelly illustrates how a very difficult\npregnancy can be traumatic after the ordeal.&nbsp;\nEach character is defined very realistically for our new world.&nbsp; Director Molly Noble has created a good\nbalance between the actors, letting them rage and laugh and cry through their\nown \u201ccry it out\u201d roles.<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignright is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/5-1024x563.jpg\" alt=\"\" class=\"wp-image-455\" width=\"298\" height=\"163\" srcset=\"https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/5-1024x563.jpg 1024w, https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/5-300x165.jpg 300w, https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/5-768x422.jpg 768w, https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/5-1064x585.jpg 1064w, https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/5-716x394.jpg 716w, https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/5-480x264.jpg 480w, https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/5.jpg 2048w\" sizes=\"auto, (max-width: 298px) 100vw, 298px\" \/><figcaption> (L-R)   Kellie Donnelly as <em>Adrienne<\/em>,  Amanda Vitiello as <em>Lina<\/em> &amp; Ilana Niemberger as <em>Jessie<\/em>. Photo by Victoria Von Thal  <\/figcaption><\/figure><\/div>\n\n\n\n<p>The single set by Sharlyn Klein is a very realistic suburban back yard,\ncomplete with leaves and baby toys.&nbsp; The\nsmall set is the perfect shared space for the three moms to gather.&nbsp; Lighting by Wayne Hovey is perfect for the\ndifferent scenes.<\/p>\n\n\n\n<p>Cinnabar Theatre cast and crew and house are fully vaccinated for COVID-19;\nmasks are required for all audience; reservations are for 100% of house.&nbsp; <\/p>\n\n\n\n<p>&#8220;Cry It Out&#8221; continues at Cinnabar Theatre 3333 Petaluma Blvd N.,\nPetaluma, CA&nbsp; 94952 through September 26,\n2021 (Streaming on Demand September 24-26, 2021).&nbsp; <\/p>\n\n\n\n<p>For further information and reservations: <a href=\"https:\/\/cinnabartheater.org\/\">https:\/\/cinnabartheater.org\/<\/a> <\/p>\n\n\n\n<p>Rating: *** 1\/2<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"alignleft is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/Red-SFBATCC-LOGO-4.png\" alt=\"\" class=\"wp-image-454\" width=\"74\" height=\"73\" srcset=\"https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/Red-SFBATCC-LOGO-4.png 217w, https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/Red-SFBATCC-LOGO-4-150x150.png 150w, https:\/\/theatrehound.net\/wp-content\/uploads\/2021\/09\/Red-SFBATCC-LOGO-4-100x100.png 100w\" sizes=\"auto, (max-width: 74px) 100vw, 74px\" \/><\/figure><\/div>\n\n\n\n<p>Gary Gonser is a member of the SF Bay Area Theatre Critics&#8217; Circle.<\/p>\n\n\n\n<p>&#8220;Cry It Out,&#8221; by Molly Smith Metzler, produced by Cinnabar Theatre.&nbsp; Director: Molly Noble, Set Designer: Sharlyn Klein, Light Designer: Wayne Hovey, Costume Designer: Donnie Frank, Stage Manager: Ross Tiffany Brown.<\/p>\n\n\n\n<p>Cast: Ilana Neirnberger as <strong><em>Jessie<\/em><\/strong>, Amanda Vitiello as <strong><em>Lina<\/em><\/strong>,\nAndrew Patton as <strong><em>Mitchell<\/em><\/strong>, Kellie Donnelly as <strong><em>Adrienne<\/em><\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This one-act play hits home with the crush for new mothers after birth.&nbsp; In the six weeks after birth, everything&#8230;<\/p>\n","protected":false},"author":1,"featured_media":448,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[],"class_list":["post-445","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-4","wpcat-4-id"],"_links":{"self":[{"href":"https:\/\/theatrehound.net\/index.php?rest_route=\/wp\/v2\/posts\/445","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatrehound.net\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatrehound.net\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatrehound.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatrehound.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=445"}],"version-history":[{"count":5,"href":"https:\/\/theatrehound.net\/index.php?rest_route=\/wp\/v2\/posts\/445\/revisions"}],"predecessor-version":[{"id":475,"href":"https:\/\/theatrehound.net\/index.php?rest_route=\/wp\/v2\/posts\/445\/revisions\/475"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatrehound.net\/index.php?rest_route=\/wp\/v2\/media\/448"}],"wp:attachment":[{"href":"https:\/\/theatrehound.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=445"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatrehound.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=445"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatrehound.net\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}